By Erika Balsom
From the sale of movie in restricted versions at the artwork marketplace to the downloading of bootlegs, from the singularity of stay cinema to video paintings broadcast on tv, Erika Balsom investigates how the reproducibility of the relocating picture has been embraced, rejected, and negotiated through significant figures together with Stan Brakhage, Leo Castelli, and Gregory Markopoulos. via a comparative research of chosen distribution versions and key case stories, she demonstrates how the query of picture move is critical to the background of movie and video artwork. After Uniqueness indicates that distribution channels are greater than impartial pathways; they ascertain how we come upon, interpret, and write the heritage of the relocating photo as an paintings form.
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Additional info for After Uniqueness: A History of Film and Video Art in Circulation (Film and Culture Series)
After Uniqueness: A History of Film and Video Art in Circulation (Film and Culture Series) by Erika Balsom